www.newsandletters.org












NEWS & LETTERS, August-September 2002

Woman as Reason by Maya Jhansi

Hegel, Antigone and feminist defiance

Historically, at least since Simone de Beauvoir’s THE SECOND SEX, women have questioned and many have rejected the importance of Hegelian philosophy for feminism. While de Beauvoir took up the master/slave dialectic in THE PHENOMENOLOGY OF MIND, many recent feminists are focusing on Hegel’s reading of Sophocles’ play ANTIGONE to bring out Hegel’s attitude to women and to assess whether Hegel has any relevance for feminism. In fact, the most recent issue of OWL OF MINERVA: JOURNAL OF THE HEGEL SOCIETY OF AMERICA is devoted to the subject of Hegel on Antigone, with some contributors like Patricia J. Mills rejecting Hegelian philosophy as necessarily sexist, and others like Philip Kain using Hegel’s view of Antigone to argue for the possibility of a feminist appropriation of Hegel.

Antigone is a beautiful play that has always garnered interest from philosophers and revolutionaries. Hegel himself called it “one of the most sublime and in every respect most excellent works of art” (AESTHETICS). There is much in it and in Hegel’s reading of it that speaks to the contemporary moment. The play foregrounds the contentious relations between women and the state and between religion and the state, both of which are important at a time when we face the redoubling of U.S. military hegemony, as well as the unprecedented rise in violent religious fundamentalisms around the world.

In the play a brazen and brave woman, Antigone, defies an ordinance issued by the King of Thebes, Creon, to let the slain body of Antigone’s brother rot above ground without a proper burial because of his betrayal of the city of Thebes. Antigone, citing her duties to her family and to divine law, buries her brother (we assume, though we don’t see her doing so in the play). When confronted by Creon, she refuses to feel guilty and to repent for her actions, thereby inflaming the king, who rails:

Show me a greater crime in all earth!
She, she destroys cities, rips up houses,
Breaks the ranks of spearmen into headlong rout.
But the ones who last it out, the great mass of them
Owe their lives to discipline. Therefore
We must defend the men who live by law,
Never let some woman triumph over us.
Better to fall from power, if fall we must,
At the hands of a man—never be rated
Inferior to a woman, never.

Antigone’s spirit of defiance has been heralded by feminists as exemplary of a revolutionary feminist ethos. Judith Butler, in her book, ANTIGONE’S CLAIM: KINSHIP BETWEEN LIFE AND DEATH (Columbia University Press, 2000), writes that she returned to Antigone because “the legacy of Antigone’s defiance appeared to be lost in the contemporary efforts to recast political opposition as legal plaint and to seek the legitimacy of the state in the espousal of feminist claims.” What Butler finds in her reading is that Antigone destabilizes not just the state but the family she supposedly represents, and through her public speech act disrupts the precarious balance of gender identity.

Butler, like other feminists, criticizes Hegel for not recognizing Antigone’s transgressive radicality. Mills goes a step further in arguing that Antigone represents Hegel’s neutralization of women’s desire. “Hegel’s Antigone,” Mills writes, “is a response to the ‘problem’ of female desire, and as such is an attempt to nullify the persistence of woman as other as she challenges any simple notion of the rule of reason over passion” (OWL OF MINERVA, 33:2, p. 217).

To Mills, women remain forever the other of Hegel’s speculative system, cast out by the dominating drive of the abstract and the universal over the erotic and the sensual. Ironically, Mills recapitulates the problem many have pointed out in Hegel, namely that in the (few) places where he takes up women, he relegates them to the family, to emotion outside of reason, to unreflecting subjectivity. Mills, in associating women solely with their sensual drives, does the same.

While it’s true that Hegel often had a reactionary attitude to women, Mills fails to satisfactorily answer whether the journey of consciousness, through self-consciousness, reason, spirit, religion to Absolute Knowledge in THE PHENOMENOLOGY is necessarily a male journey. Hegel may have thought so as a person, but is his PHILOSOPHY limited by his gender POLITICS?

This is a real question. It would be wrong to dismiss out of hand Hegel’s sexism, but it would be equally wrong to assume a complete identity between Hegel’s politics and his philosophy. Marx himself addressed this when he delved into Hegel to determine whether Hegel’s accommodation to the Prussian state flowed necessarily from his philosophy. It’s true, as Dunayevskaya showed in MARXISM AND FREEDOM, that Hegel dehumanized the Idea instead of treating it as the dialectic of live men and women. He ended up resorting to an external determinant--the State--to resolve the contradictions of society. However, Marx still saw Hegel’s dialectic of negativity as the movement of history, the algebra of revolutionary transformation, though in alienated form. This concept, Dunayevskaya argued, transcends the limits of Hegel’s political outlook.

Patricia Mills scoffs at attempts to “read Hegel through the lens of Karl Marx,” but to those of us in search of emancipatory alternatives, it seems rather silly to just erase Marx’s appropriation of the Hegelian dialectic. It isn’t, after all, just about interpreting Hegel’s attitude to women in his reading of Antigone, but about our own search for an emancipatory meaning and direction for feminist defiance today.

Return to top


Home l News & Letters Newspaper l Back issues l News and Letters Committees l Dialogues l Raya Dunayevskaya l Contact us l Search

Subscribe to News & Letters

Published by News and Letters Committees
Designed and maintained by  Internet Horizons